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Lostprophets 27th April 2012 - Newcastle O2 Academy

From the word go the academy was buzzing with an undeniable energy unlike anything you’d see anywhere else. Lostprophets hadn’t graced the stage here since 2010 and if the excitement was anything to go by their return came not a day too soon. 

First on, and the only support act for the night, were rising dubstep band Modestep. Walking in during their set was certainly a surprising moment and rose the question “Is this really the right gig?” as they jumped around the stage, with an apple mac sitting on a DJ booth doing a lot of the work for them it was hard to understand why they had been chosen to support one of British rock’s biggest bands.

However, those in the mosh pits did not seem to complain, maybe it was for the many cameras that the band had brought with them or maybe they were genuinely enjoying the loud bass and non-stop beats but whatever it was the moshing never seemed to cease. 

Other than those in the main part of the crowd though, it seemed not many other people were enjoying the overdone remixes of songs which were good before Modestep got their hands on them (take for example, Cee Lo Green’s “Fuck You” which seems to be played as a message “to the haters” but probably gains the band more “haters” than it makes an example of) and for the most part many people stood with their arms folded waiting for it to just end already. There are only so many “wub wub wub” beats you can take whilst waiting for Lostprophets.

Eventually it was time for Modestep to leave and the headliners to make an appearance. 

From the word go it was clear that Lostprophets were on the top of their game. The crowd never once seemed to let their feet touch the ground for more than a millisecond as the band played old favourites and new songs (all of which gained the same enthusiastic reaction, regardless of the little time the fans had had to familiarise themselves with those off Weapons)

The stand out tracks were mostly from Liberation Transmission, crowd pleasers included Can’t Catch Tomorrow, A Town Called Hypocrisy and of course, Rooftops and Last Train Home. However there was not one song that didn’t gain any sort of notable reaction (the most notable reaction in terms of songs off Weapons surprisingly seemed to come from We Bring An Arsenal, interesting as this song is not even a single) and even during ballads the crowd did not let up, eager to show these Welsh boys that after a decade and a bit they are still as needed and appreciated as ever.

The band themselves barely faltered, although Ian Watkins may not be the best singer in the world he still pulled out all of the stops (various times this involved a megaphone) whilst the rest of the band seemed even more energetic, as though their 2 year absence left them with something to prove.

And prove themselves is certainly what they did, putting on a show I’m sure no one will be forgetting any time soon. 

With all of this competition from rising British bands it’s sometimes easier to overlook Lostprophets but after seeing them live and seeing how much energy and atmosphere their shows can create, it becomes obvious that even the biggest rising stars of the British scene have some way to go to catch them up yet.

Walk The Talk - William BeckettAfter many were devastated due to the downfall of yet another Fueled By Ramen band when The Academy Is… called it a day it was hard to think there would ever be a “light at the end of the tunnel” for many.However, good news came when most of the band announced that in their own ways, they would still continue to make music as separate musicians. The most promising news perhaps, came when singer William Beckett announced that he was to record solo music - beginning with the Walk The Talk EP, and now that it has been released it has become obvious that William Beckett has not lost his knack for songwriting.The opener “Compromising Me” immediately confirms this, along with the next two tracks “Girl, You Shoulda Been A Drummer” and “Oh, Love!” which are all as catchy and well-written as anything you would expect Beckett to produce, but if you were still sceptic as to whether he could really match up to the same level of songwriting that he put on show in TAI… you will not be disappointed by album closer, “You Never Give Up”Overall, it seems that TAI… breaking up was not all bad as William by himself seems to do a pretty good job, one that hopefully will have him bringing out a lot more solo material. 

Walk The Talk - William Beckett
After many were devastated due to the downfall of yet another Fueled By Ramen band when The Academy Is… called it a day it was hard to think there would ever be a “light at the end of the tunnel” for many.
However, good news came when most of the band announced that in their own ways, they would still continue to make music as separate musicians. The most promising news perhaps, came when singer William Beckett announced that he was to record solo music - beginning with the Walk The Talk EP, and now that it has been released it has become obvious that William Beckett has not lost his knack for songwriting.
The opener “Compromising Me” immediately confirms this, along with the next two tracks “Girl, You Shoulda Been A Drummer” and “Oh, Love!” which are all as catchy and well-written as anything you would expect Beckett to produce, but if you were still sceptic as to whether he could really match up to the same level of songwriting that he put on show in TAI… you will not be disappointed by album closer, “You Never Give Up”
Overall, it seems that TAI… breaking up was not all bad as William by himself seems to do a pretty good job, one that hopefully will have him bringing out a lot more solo material. 

reviewriot:

8th October, 2011 marked the end of, in my opinion, one of the best bands to come out of their genre: The Academy Is… Most fans weren’t expecting it, but some were, especially after the band lost two of its members, earlier in the year, but regardless of which side of the fence anyone was on,everyoneas devastated to hear the news, as these five individuals went their separate ways. Sisky went on to join Say Anything, Chislett went on tour with Brooke Fraiser, The Butcher focused more on his side project, The Animal Upstairs, and Carden seems to have disappeared from the public eye.
Which only leaves William.
Today, 17th April, is the official release date of his new EP, Walk The Talk. It was released on iTunes, but physical copies have been available to be pre-ordered for several days now.
The EP consists of four songs: ‘Compromising Me’, ‘Girl, You Shoulda Been A Drummer’, ‘Oh, Love!’, and ‘You Never Give Up’. The first three songs are a huge contrast to the final track, as it is, what can only be described as, a ballad, and I believe that it pulls the whole thing together, and this set of four songs leaves you wanting more of William’s powerful vocals, of his story. My personal favourite is ‘Oh, Love!’ - I don’t know why, I just like it.
This is a brilliant EP from a brilliant musician.
William will be touring the East Coast from the 4th May so if you’re lucky enough to be living there, go out and grab them tickets. You can check out Walk The Talk on iTunes here, and you can also order a physical copy + other goodies, here.

reviewriot:

8th October, 2011 marked the end of, in my opinion, one of the best bands to come out of their genre: The Academy Is… Most fans weren’t expecting it, but some were, especially after the band lost two of its members, earlier in the year, but regardless of which side of the fence anyone was on,everyoneas devastated to hear the news, as these five individuals went their separate ways. Sisky went on to join Say Anything, Chislett went on tour with Brooke Fraiser, The Butcher focused more on his side project, The Animal Upstairs, and Carden seems to have disappeared from the public eye.

Which only leaves William.

Today, 17th April, is the official release date of his new EP, Walk The Talk. It was released on iTunes, but physical copies have been available to be pre-ordered for several days now.

The EP consists of four songs: ‘Compromising Me’, ‘Girl, You Shoulda Been A Drummer’, ‘Oh, Love!’, and ‘You Never Give Up’. The first three songs are a huge contrast to the final track, as it is, what can only be described as, a ballad, and I believe that it pulls the whole thing together, and this set of four songs leaves you wanting more of William’s powerful vocals, of his story. My personal favourite is ‘Oh, Love!’ - I don’t know why, I just like it.

This is a brilliant EP from a brilliant musician.

William will be touring the East Coast from the 4th May so if you’re lucky enough to be living there, go out and grab them tickets. You can check out Walk The Talk on iTunes here, and you can also order a physical copy + other goodies, here.

You Me At Six/Kids In Glass Houses/Mayday Parade/The Skints - Newcastle O2 Academy, 25th March

The Skints start the night off with a somewhat trippy sounding reggae theme. For some of the crowd it seems inadequate and out of place at a You Me At Six gig, but the rest of the excitable crowd seem up for anything at the promise of the bands to come. Overall, they don’t get half the reaction of everyone else but it’s still something for a band who most of the crowd hadn’t yet heard of. 

Mayday Parade are greeted with a much warmer reception, the crowd are almost always off their feet and the band most certainly do not disappoint. They pull out fan favourites such as Kids In Love and Jamie All Over, whilst also weighing in the perfect amount of new material, most notably Oh Well, Oh Well which a strong part of the crowd already know all the words to. It’s most certainly the perfect warm up for a crowd who are eagerly awaiting the headliners after queueing for hours in the sun. 

Next up are Kids In Glass Houses who pick up where Mayday left off, instantly enticing the crowd with audience participation in Sunshine. If the first two bands were good then Kids In Glass Houses are exceptional. It’s hard to understand why the band don’t have their own headline show at this venue, it’s nothing they haven’t done before and the crowd treat them as though they are top of the bill (for now at least) there is not one quiet moment and every word is sung back by the the crowd for every song, even those from In Gold Blood which were not as commercially well-received. If the bands musical talents weren’t enough, the charisma given off by singer Aled Phillips gives the crowd even more to shout about. From start to finish, with songs off all three albums the band do not once falter. When they leave, they leave with people asking for more. If anyone in the crowd had no impression of Kids In Glass Houses before, they certainly will do now. 

Eventually, You Me At Six grace the stage and get straight to it, opening with the first single of Sinners Never Sleep, Loverboy. The crowd don’t waste any time in jumping more than ever and singing as loud as they can and they don’t once stop for the entire set. Since the last time they were here, You Me At Six have only gotten better and you see that in the confidence shown by frontman Josh Franceschi. The band play all the crowd favourites to keep them excited, wanting more all night, and more is exactly what they get. Favourites of the night include Underdog and closer Bite My Tongue, in which Josh excites the crowd further by giving his own attempts at screamo and certainly not disappointing. 

Overall, the night was certainly not one anyone will be forgetting for a long time.

Some Nights - fun.
As far as bands go fun. are really something else. Their debut “Aim & Ignite” has been dubbed “ground-breaking” and it’s not hard to see why. So almost three years later, have fun. done themselves proud?
I would think so. Some Nights is, at first listen, quite different to the bands debut. Nate Ruess has a distinct voice that it’s hard to not love and the first note on “Some Nights Intro” captures you instantly. 
Some Nights is a bigger production, the band have more riding on this with a number one single under their belts. But for those who weren’t fans of “We Are Young” there are still some “classic fun.” songs, if you will - such as Carry On, once again showing that fun. can produce songs to tug the heartstrings (referring to The Gambler from Aim & Ignite) but the album is certainly very different on the most part.
The album may take a few listens to get used to, if you are used to the simplistic genius of Aim & Ignite, however after two or three times through the band prove that they are worthy of their rising fame (the unnecessary autotune on Nate’s voice also becomes less annoying once you get used to it).
Overall, fun. have done a great job. Yes, maybe it isn’t what we are used to from them, but did we really just want a clone of Aim & Ignite? All good bands should progress and fun. are progressing in an exciting way, promising them a good future in the music industry. 

Some Nights - fun.

As far as bands go fun. are really something else. Their debut “Aim & Ignite” has been dubbed “ground-breaking” and it’s not hard to see why. So almost three years later, have fun. done themselves proud?

I would think so. Some Nights is, at first listen, quite different to the bands debut. Nate Ruess has a distinct voice that it’s hard to not love and the first note on “Some Nights Intro” captures you instantly. 

Some Nights is a bigger production, the band have more riding on this with a number one single under their belts. But for those who weren’t fans of “We Are Young” there are still some “classic fun.” songs, if you will - such as Carry On, once again showing that fun. can produce songs to tug the heartstrings (referring to The Gambler from Aim & Ignite) but the album is certainly very different on the most part.

The album may take a few listens to get used to, if you are used to the simplistic genius of Aim & Ignite, however after two or three times through the band prove that they are worthy of their rising fame (the unnecessary autotune on Nate’s voice also becomes less annoying once you get used to it).

Overall, fun. have done a great job. Yes, maybe it isn’t what we are used to from them, but did we really just want a clone of Aim & Ignite? All good bands should progress and fun. are progressing in an exciting way, promising them a good future in the music industry. 

Chapter II - The Audition
As far as underrated bands go it’s hard to find one as overlooked as The Audition. The quintet from Chicago appeared on the scene in 2005 with debut album “Controversy Loves Company” and have been on top form from the get go. So now, in 2012, with their new self-produced EP, is the time YOU should start listening to this band. Chapter II is the perfect mix of everything The Audition have ever done - blended into six songs which leave your feet tapping and you humming every catchy tune for the rest of the day. The thing is, The Audition are really good at any sort of song. There are the catchy songs to dance to at gigs (You Make Me Sick), the rock ballads which are lyrically impeccable (You Gotta Believe), and those which go back to their “heavier” roots of Controversy Loves Company (Evil and Talkin’). So if you were ever in doubt that The Audition would be “your thing”, now is the time to spare a measly £4.74 on iTunes and support a band who for some unknown reason are the most overlooked in this scene.

Chapter II - The Audition

As far as underrated bands go it’s hard to find one as overlooked as The Audition. The quintet from Chicago appeared on the scene in 2005 with debut album “Controversy Loves Company” and have been on top form from the get go. 

So now, in 2012, with their new self-produced EP, is the time YOU should start listening to this band.

Chapter II is the perfect mix of everything The Audition have ever done - blended into six songs which leave your feet tapping and you humming every catchy tune for the rest of the day. 

The thing is, The Audition are really good at any sort of song. There are the catchy songs to dance to at gigs (You Make Me Sick), the rock ballads which are lyrically impeccable (You Gotta Believe), and those which go back to their “heavier” roots of Controversy Loves Company (Evil and Talkin’). 

So if you were ever in doubt that The Audition would be “your thing”, now is the time to spare a measly £4.74 on iTunes and support a band who for some unknown reason are the most overlooked in this scene.

Bones - Young GunsYoung Guns are most certainly worthy of the title of “up-and-coming” at the moment. With their debut “All Our Kings Are Dead” fit snugly under their belts, the quintet’s latest release seems like it will only increase their popularity.
It’s hard to know where to start, considering that almost every track on the album is like one of those “gems” Young Guns are capable of producing - stand out tracks would include the title track “Bones” which could easily entertain arenas full of eager fans one day, and the fan favourite “You Are Not” which certainly hits the spot lyrically - “You are not a diamond, you are not a shining star/Doesn’t mean that you’re not perfect exactly as you are.” 
The album fluctuates between smashing riffs and softer melodies, the tone is not as dark as that of All Our Kings Are Dead however it’s still distinctively Young Guns and singer Gustav Wood effortlessly carries you through it in a way that makes you want to listen over and over.
Overall, Young Guns have done a marvellous job - proving that they are no amateurs and that they should have no trouble in catching up to fellow British rockers You Me At Six and reaching the highest of heights.

Bones - Young Guns
Young Guns are most certainly worthy of the title of “up-and-coming” at the moment. With their debut “All Our Kings Are Dead” fit snugly under their belts, the quintet’s latest release seems like it will only increase their popularity.

It’s hard to know where to start, considering that almost every track on the album is like one of those “gems” Young Guns are capable of producing - stand out tracks would include the title track “Bones” which could easily entertain arenas full of eager fans one day, and the fan favourite “You Are Not” which certainly hits the spot lyrically - “You are not a diamond, you are not a shining star/Doesn’t mean that you’re not perfect exactly as you are.” 

The album fluctuates between smashing riffs and softer melodies, the tone is not as dark as that of All Our Kings Are Dead however it’s still distinctively Young Guns and singer Gustav Wood effortlessly carries you through it in a way that makes you want to listen over and over.

Overall, Young Guns have done a marvellous job - proving that they are no amateurs and that they should have no trouble in catching up to fellow British rockers You Me At Six and reaching the highest of heights.